February 28: How to Escape Slavery to the Book and Thrive in the Wild

Humans, are you feeling trapped by the book? Are you tired of trolls like this?

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Well, there’s help. I’m giving a talk about all this at Cottage Bistro in Vancouver on Sunday, February 28, at 5 pm. Here are some slides from the book, with their original captions.

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Do you feel that books fill your heads with thoughts and lead you down the garden path to a field choked with thoughts and then locks the gate and you can’t even figure out the darned latch?

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Do they not even bring you any sugar cubes anymore?

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Well, you’re not alone.

The performance is at Cottage Bistro, at 4470 Main Street in Vancouver. Their phone is 604-876-6138. The show is at 5 p.m., Sunday, February 28.

Here’s a hint of the story I’m going to tell from my new book, the Art of Haying.

Haying Cover

I didn’t find this story. It found me on the Camino through the dark forest of Germany, where I lost my identity right about here …

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…was give a temporary identity to ride to keep me going, now that I didn’t have a book to hold me …

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… and then met the Afrad (one of “The Chosen Ones”) Khedr when I was completely emptied out. He appears now on the cover of my new book of poems, Two Minds, a series of sufic ghazals, conjuring consciousness out of the winds of the world. That’s what Khedr does. He is the force of the world.

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I’ll be talking about him on Sunday. He dropped me in Iceland a few days later.

artofhaying.001 I made new friends.artofhaying.080

They taught me that humans build farms under the cliffs, and keep sheep, and that this is a form of writing but writing in the world, not writing on sheepskin or paper. They taught me that I already knew this, and that there are creatures who are keeping these farms, so that humans keep sheep, because these creatures love sheep. They me that I am a kept thing, within these books. They taught me that I am prey.

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And so in Iceland I learned to see the pens and fenced pastures of the book. Here’s a collection of such books, including human house, abandoned turf houses, elf house and farm, and in the background, looking out over the fjord, a troll.

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Here’s a young Icelandic reader learning her craft with a machine that is killing her, while gentler machines on display in this agricultural college are calling to her: “Go get a horse, dear!  We can do that for you.” But she doesn’t hear over the machine.

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And so I learned the way out of the pastures of the book into a new wildness.

artofhaying.047 I learned old forms of creativity that are still new on Iceland.artofhaying.062

I learned to read the modern creative individual, the kind that Creative Writing programs are designed to craft (somehow, it didn’t take on me) …

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… and the lures that book set to draw humans into domesticated fields …

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… and I met many people, many ultra modern people, of the book’s fields. This guy in Reykjavik, for instance. Yes, he is a blockhead.

artofhaying.015 The Spirit of Reykjavik, too. Well, actually a film-maker’s Norse curse on the Americanized Reykjavik across the harbour from his encampment.artofhaying.024

And this woman in Seyðisfjörður, after her body set her aside to dry in the sun after a hard day shovelling snow.

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I learned that identities can be put on and taken off when they come to the end of their usefulness for the book trolls who run the farm. Here’s an art gallery of human book identities in downtown Reykjavik.

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I also learned there is something else that is stronger than that identity and remains when it is stripped away, as mine was on the pilgrimage path through the German Revolution of 1989, and the Celtic Revolution of … well, long before that.

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There is a form of creativity that predates the modern age and is stronger than it. It is still alive in Iceland. Khedr led me to it. It’s time to talk about these things. There’s a way out of that field, my friend.

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Does that look like you, living on an elf hill, sniffing the grass in my hand, as I stand beneath the sacred rowans of the graveyard that is always beside an elf hill? Yes, it is! Come on, let’s go to Iceland. I’ll give you the key to that gate.

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Changelings: Story Telling at Cottage Bistro in Vancouver on February 28, 2016

Changelings_FC-275x413Cassy Welburn and I are story-telling at Vancouver’s Cottage Bistro on Sunday, February 28. From  fairies to a waitress at a truck stop who

calls out orders
over the sound of retarder brakes
and exhaust,

Cassy’s startling and life-affirming stories rise from the Celtic tradition after long experience as a performer and story teller. Click here for a review of Cassy’s book. Cassy and I were on stage in Lethbridge last fall and had a blast telling stories with each other. It’s your turn to be charmed. I will be telling stories from my book The Art of Haying: a Journey to Iceland,Haying Cover including encounters with elves, trolls, the Green Man, a dragon and others on a pilgrimage through the German forest and escape to the volcanic remnant of Atlantis in the North Atlantic. This is a love story and a tribute to the beauty of Iceland. I’m bringing a collection of photographs from the book to show you all the top of the world.

The performance is at Cottage Bistro, at 4470 Main Street in Vancouver. Their phone is 604-876-6138.

The show is at 5 pm. We’ll have you home in time for dinner with the elves.

 

Cassy Welburn

Cassy

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Harold

 

 

Our Fragmented Place on the Land: Three Writers Reflect in Campbell River

Let’s talk.
threewriterstitlethree writers

Wayne is going to talk about the costs of the domestication of people. Andrew is going to speak about the costs of technology on people and the world. I am going to speak about an alternate form of creativity that re-wilds the self and provides tools for repairing human-earth relationships. To keep it real, I’m going to include passages from The Art of Haying, my book on Icelandic creativity, and link my vision to Roderick Haig-Brown. Three powerful perspectives, based on lifetimes of combined experience. Well four, if we include Rod.

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We’ve set aside a lot of time for discussion, between each other, and with you. I hope to speak with you there. The red balloon marks the spot. Easy to find!

where

Here:

stage

Here:

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Launching Iceland in Victoria on November 19

On Thursday, November 19, I will be launching my book of photography about Iceland. Haying CoverThis is the life of the book after the end of the age of the book. It embodies the sufic tales of my new collection of ghazals, Two MindsThe Art of Haying is full of trolls, elves, horses, tricksters, street art, alternate forms of creativity and the state of books today. It steps off of the Northern Camino into the possibilities that come when you live past an entire age of the world as a pilgrim and wake up one morning in love all over again. It’s a beautiful book. I hope you’ll come. If you’ve never been to Iceland, that most beautiful and quirkiest of countries, this is your chance!

7:30 p.m., Thursday November 19

Martin Batchelor Gallery

712 Cormorant Street, Victoria, B.C.

There’s a special treat. D.C. Reid will expand the sufic theme by launching a new book of glosas: The Spirit of the Thing and the Thing Itself. Dennis and I have gone on the road with books many times before. It’s always a lot of fun and a thrill to be reading with him again.

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See you there!